The pace is unwavering: her notably powerful voice reaches piercing highs before evaporating, like steam rising from hot coals, while Auerbach punctuates his reverby sandstorms with occasional guitar solos. Most of these 11 songs are stately ballads that swap her old hip-hop affectations and hiccupping-baby vocals for languid desert rock.
Produced by The Black Keys’ Dan Auerbach, however, ‘Ultraviolence’ attempts to define Del Rey’s musical identity.
It’s either smart postmodern mythmaking or an equally smart get-out-of-jail-free card. As she said recently, “ literally has nothing to do with me”. On her 2012 official debut, ‘Born To Die’, she was an idea among icons. It’s hard to know who she means, especially because mimicking Lana Del Rey would be hard. Rather than the mea culpa that Authenticity Bores would like it to be, the latter is a territorial, if mournful, bitch-slap: “I’m a dragon, you’re a whore/Don’t even know what you’re good for/Mimicking me’s a fucking bore… to me”, she glowers. The tracklisting of her second official album could form her manifesto: ‘Sad Girl’, ‘Pretty When You Cry’, ‘Money Power Glory’, ‘Fucked My Way Up To The Top’. The authoritative record of NPR’s programming is the audio record.Like Morrissey, Lana Del Rey has mastered song titles that perpetuate her reputation with a knowing wink. This text may not be in its final form and may be updated or revised in the future. NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. Visit our website terms of use and permissions pages at for further information. You haven't seen my man.Ĭopyright © 2014 NPR. SIEGEL: Lana Del Rey's latest is called "Ultraviolence." Our reviewer is Tom Moon.ĭEL REY: (Singing) You haven't seen my man. All she has to do is what torch singers have done forever - locate some shred of poignance within the emotional wreckage.ĭEL REY: (Singing) It might not be something you would do. She needn't bother because the thick, exquisitely rendered music takes us there. On just about every track, Lana Del Rey points out that she's on intimate terms with the lower rungs of despair. MOON: The album is too long by half, and the lyrics tell fairly generic stories. I guess that no one ever really made me feel that much higher. You've got the music in you, don't you? You push it hard. More often, she's concerned with the men in her orbit, damaged lovers were lost inside one addiction or another.ĭEL REY: (Singing) Down on the West Coast, they love their movies, their golden gods and rock-and-roll groupies. Sometimes, she seems to be singing about herself, the fatalistic sad girl who's pretty when she cries. MOON: Lana Del Rey writes about the motivations and dissipations of vaguely sad, beautiful losers. And I can't do nothing about this strange weather 'cause you are invincible. The first time through, I completely missed the transfixing grace of this song.ĭEL REY: (Singing) But I can't help him. Lana Del Rey doesn't deviate much, and as a result, the album can seem like one marathon brooding session. MOON: Thing is, a little goes a long way. And it goes like this - grand funeral dirge tempos, big anthemic chords and elaborate, hazy atmospheres, supporting a singer whose every phrase is delivered with maximum melodrama.ĭEL REY: (Singing) With my little red party dress on. TOM MOON: There's a formula at work inside the stylized music of Lana Del Rey. The new release is called "Ultraviolence." Reviewer Tom Moon says that the album is too long, but it shows Del Rey developing a new take on the torch song.ĭEL REY: (Singing) And you like to party and have fun. The 27-year-old returns this week with a follow-up to her 2012 breakthrough, "Born To Die." That album sold more than a million copies in the U.S.
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They're also full of old movie references. Hollywood sadcore is a term singer and songwriter Lana Del Rey came up with to describe her dark, moody pop songs.
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